- June 14th, 2025, 12:14 am#5005084
I don’t really like the Ghost GB idea either but I liked when Slimer helped out. I think friendly ghosts should still do that.
Kingpin wrote: ↑June 13th, 2025, 6:50 amYa it could mean something else. I was thinking it’s probably a different thing by now too but I didn’t wanna completely write it off because setting things in the future is so popular. TMNT did Fast Forward.WCat2000 wrote: ↑June 12th, 2025, 10:59 pm It does sound like it could be Ecto Force or something like that and take place in the future.I wouldn't make that assumption, partly because I believe the Netflix series has pretty much started from scratch, rather than use the bones of Ecto Force for its foundation, and because there's just so little information to form a conclusion on.
Bazay's comment about it being a new take on Ghostbusters, one that hasn't been seen before is intriguing... I hope it isn't a similar concept as the cancelled ghost-as-Ghostbusters movie from a while back, as personally I didn't find that remotely interesting... But we'll see.
The talk of a gritty New York conjures visions of a depiction like some of the darker/more mature Teenage Mutant Ninja Turtles series...
I don’t really like the Ghost GB idea either but I liked when Slimer helped out. I think friendly ghosts should still do that.
mrmichaelt wrote: ↑June 13th, 2025, 6:31 pm A bit more description from the panelSo I guess they saw, a concept anyway, what the proton pack looks like. That’s something I’m really excited to see. Never liked the Extreme Proton Pack. I’m hoping for something like the Spirits Unleashed Zeddemore Gear. Modern/high tech but still familiar.
https://www.whats-on-netflix.com/news/n ... howrunner/
The series is in production.
A pre-recorded message from the series' executive producer and showrunner Ben Hibon was played:“Ghostbusters has always been a really surprising blend of horror, comedy, sci-fi and fantasy.Then concept art included: "We saw from the pictures that the series appears to be following four young protagonists (they were standing silhouetted with their backs facing towards the “camera” on a hill), with other snaps set indoors and outdoors in New York City, focusing on our heroes and monsters. One particular picture had one of the protagonists wading through a New York interior filled with boxes, with a proton pack on their back glowing. Spider-Man: Into the Spider-verse is clearing the blueprint for the animation style, which makes sense given the studio. "
We want to keep the character and the story totally grounded in a time and place that felt real. It has grit, it has texture, it has vibrancy. The goal is never photorealism. The way we approach light, the volume of light and the softness and the coloration and the temperature of light is really what brings very highly stylized characters or simplified environments or basically textures into a realm that feels very tactile and tangible.
My mission is unbound by reality. That itself allows us to go much broader, in some ways much bigger.
We’re able to be very bold and very impactful and very striking, distorting motion, blend with frame rates, ghost designs. We will be able to push the envelope, really elevate content and really surprise audiences.”
Nothing can survive the will to stay alive, cause if you try, you can do anything.